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Anne Windsor

BA (Hons) Fine Art, Central Saint Martins College of Art, London

Artist statement:
The concerns central to my work involve representations of the ‘self’ through individual, composite and social portraiture. Figurative images have given way to an alternative, more abstract language of marks to express a complex internal essence.

Although three-dimensions and mixed-media have been included in some works to explore particular aspects of our multi-faceted and multi-dimensional nature, painting and drawing form the main focus; current work combines acrylics and inks on board to describe attributes of the subjects ‘self’. Layers of acrylic colour are ‘excavated’ to reveal fragments and glimpses which hint at hidden areas beneath the surface. An interlacing network, or mesh, of ink lines appears to hover between and above the scars of these openings.

Through representation of less tangible characteristics than the surface appearance, and a deconstruction of the ‘image’ associated with more traditional forms of portraiture, my work attempts to approach an alternative, more essential form of communicating elements of the human spirit.

Overexposure, to a vast multiplicity of images, has numbed our visual sensitivity. The apparent external identity is manipulated to act as a shield and protector of the more vulnerable ‘underbelly’ of our singularity. In traditional forms of portraiture the pose is exposed as posture; and it is this mask that I seek to undermine in an attempt to share a more fundamental understanding. The focus of contemporary culture on superficial appearance, as a form of disguise, encourages the loss of ‘self’ expression and, consequently intimacy. Obsessed with the latest model, what is ‘in’, and what is ‘new’, the transient nature of the image has conspired in its devaluation.

The work is engaged with the search for a visual language that transcends the limitations of the ‘adopted image’; a language of inclusion rather than separation, of participation rather than observation, and of depth rather than veneer.


Exhibitions:

2003
‘Obsessions’ Five Princelet Street Gallery, London
‘Degree Show’ Central Saint Martins College of Art, London
‘Continuing Inspiration’ Chelsea College of Art, London
‘(X)hibit 2003’, The London Institute Gallery, London‘Mutiny’, Barge House Gallery, London

2002
‘Bite’, Mernier Gallery, London‘Lockers 1-5’, Changing Room Gallery, London

2001
‘(X)hibit 2001’, The London Institute Gallery, London'Resn 8', The Studio Gallery, Beckenham

1999
‘(X)hibit 1999’, The London Institute Gallery, London

1998
'Leighton House Open', Leighton House Gallery, London Atrium Gallery, Whiteleys, London

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