His exhibition profile includes: Flowers East Gallery, London; Curwen Gallery London; Case-1, London; Ruskin Gallery, Cambridge, London Print Studio; Harrow Museum and Art Gallery; New Ashgate Gallery, Farnham; Inside Space, London; Harley Gallery, Welbeck; Morley Gallery, London; Sotheby's, London; St. Monde Arts Centre, Paris; Shipley Art Gallery, Newcastle and Kings College, Cambridge.

Nick's awards include Intaglio Print Prize and the Edward Ardizzone Print Prize. In 2003 he was nominated by Flowers East gallery for the Jerwood Platform Prize.

His bibliography includes reviews in The Guardian (Tim Hilton), Time Out Magazine (Sarah Kent) and he was featured in the Guardian Weekend magazine (Charlotte Abrahams). He is to be included in the new edition of the Dictionary of Artists in Britain Since 1945.

Devison's recent work interrogates the notion of authenticity and the contingent nature of meaning. His work addresses its relationship to historical antecedence through a process of reverent corruption, through which source material is dislocated, erased and overwritten. The result is often a palimpsest of found invented and appropriated images located in an unstable field.